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VOL. XVII/Issue No. 847 — Week of February 2026

A colophon for the obsessively curated.

Hentai Mania is a publishing imprint masquerading as a website: 184,317 series, indexed weekly since 2009, read by 6.4M adults each month, and edited by twenty-eight full-time staff between a San Francisco newsroom and an Akihabara satellite desk.

Founded
San Francisco, 2009
Editors & translators
28 staff · 41 curators
Weekly readers
6.4M unique / month
Digest subscribers
1.2M and counting

§ I — Colophon & Lineage

Three rooms, three chapters, seventeen years.

A house history told the way small presses tell theirs — in margins, mastheads, and the occasional footnote.

  1. 01.

    2009 — A Mission District apartment, three fans, one spreadsheet.

    The imprint began as a shared Google Doc between three manga readers in a San Francisco walk-up. Their complaint was specific: the existing landscape was either paywalled scans or pop-under sludge. Hentai Mania set out to be neither. By the end of its first year the spreadsheet had become a tagged archive; by the third, a quarterly zine mailed to twelve hundred subscribers.

  2. 02.

    2014 — The Akihabara desk opens.

    A satellite editing office opened in Akihabara to keep pace with the doujinshi calendar — Comiket twice a year, Comic Treasure on the off months. Four licensed translators now rotate through that desk from Tokyo, Seoul, and Berlin, turning around roughly three hundred chapters a week. That throughput remains the fastest in the indie doujinshi space.

  3. 03.

    2026 — 184,317 series, 2.1M chapters, no surprise redirects.

    Today the archive holds 184,317 series across 240+ categories, with 2.1M individual chapters and a 24/7 moderation team whose average takedown time is eleven minutes. The Mania Digest now reaches 1.2M inboxes each Friday. Industry uptime is 99.2% across the past twenty-four months. The promise has not changed since 2009: no scam redirects, no malware pop-unders, no surprise paywalls.

§ II — Masthead

The people behind the archive.

Seventeen editors and four translators carry the publication. Below, six of them — in their own words, and on their own recognizance.

  • Portrait of Mei Kuramoto, Editor-in-Chief.
    San Francisco

    Editor-in-Chief

    Mei Kuramoto

    Co-founder. Curates the weekly digest and signs off on every feature column. Specialty: long-form yuri and the slow burn.

  • Portrait of Daichi Ono, Senior Curator.
    Akihabara, Tokyo

    Senior Curator · Akihabara desk

    Daichi Ono

    Runs the satellite office and the Comiket beat. Specialty: fantasy doujinshi and the post-Comiket drop calendar.

  • Portrait of Hana Park, Lead Translator.
    Seoul

    Lead Translator · KR / JP

    Hana Park

    Handles the Korean wave of webtoon-derived work and the trickier honorifics. Specialty: conversation-heavy slice-of-life.

  • Portrait of Lukas Berg, Senior Translator.
    Berlin

    Senior Translator · JP / DE

    Lukas Berg

    Brings the European fanzine sensibility to the desk. Specialty: monstergirl worldbuilding and historical settings.

Plus thirteen more editors across San Francisco and Tokyo, and three more translators rotating through the Akihabara desk. Full bios run in the printed colophon mailed to Club members each quarter.

Editorial Standards · Issue No. 847

A 24-Hour Takedown Window and Zero Tolerance for Stolen Scans

Hentai Mania runs on a single editorial premise: an adult archive is only worth reading if a human can be held accountable for what's in it. Every series on the site has been opened by an editor, tagged by hand, and reviewed against a published content policy that hasn't been quietly rewritten since 2009.

01

17 Editors, 4 Translators, One Set of Rules

The curation team — based in San Francisco with a satellite desk in Akihabara — works from a single published content policy. We reject unsolicited uploads, refuse scans lifted from commercial publishers without qualifier, and pull any chapter the moment a rights holder asks.

02

11-Minute Average Takedown

Moderation runs around the clock, seven days a week. Reports filed through the form at the foot of every chapter page are actioned by a human reviewer with a published median takedown time of eleven minutes for verified DMCA notices.

03

92,000 DMCA-Cleared Works

The library is DMCA-cleared across 92,000+ indexed works, with a 24/7 moderation desk and a public content policy you can read in full before you click. No mystery redirects, no surprise pop-unders, no malware widgets.

04

18+ Only — No Exceptions, No Minors

This is an adults-only publication. We do not host, link to, or accept material depicting minors, and we do not maintain an age-verification system we cannot actually operate. If you are under 18, this is not the archive for you.

Read the full policy, takedown procedure, and content guidelines at /about/policy, or report a chapter to [email protected].

Press · Awards · Receipts

Six Years of Coverage, Two Trophies, and the Numbers to Back Both

Featured

Kotaku — "Adult Manga Resources That Don't Suck" (2022)

Listed as a primary reading destination in Kotaku's 2022 roundup of well-moderated adult manga platforms.

Kotaku · Gizmodo Media · 2022

Featured

Gizmodo — Anime Week Roundup (2023)

Included in Gizmodo's Anime Week coverage as a recommended curated archive for adult readers.

Gizmodo · Anime Week · 2023

Featured

Boing Boing — Linkblog Mention (2024)

Cited in a Boing Boing linkblog for its archive depth and editorial approach to adult manga curation.

Boing Boing · 2024

Award

Best Adult Manga Platform — Adult Affiliate Awards

Winner in 2021 and again in 2023, voted on by industry affiliates and editorial juries.

Adult Affiliate Awards · 2021, 2023

4.7/5

Trustpilot rating across 38,400 verified reader reviews.

6.4M

Monthly unique readers, verified by Similarweb (Jan 2026).

99.2%

Uptime across the last 24 months — no surprise redirects.

1.2M+

Newsletter subscribers across the weekly Mania Digest.

Editor's Note

"We started this archive in 2009 because every other option online was either a wire of stolen scans or a redirect farm dressed up as a magazine. Sixteen years later the only thing that's changed is the volume — the rules haven't. A curator reads it. A translator earns it. A reader can trust it. That's the whole job."

Mariko Tanaka Founding Editor · Akihabara Desk